On the one hand, we have the Kate Adie autobiography I'm reading. I have a certain amount of respect for Adie, for some of the places she's been risks she's taken and professional strides she's made in a pretty male-dominated environment. She's got some fairly odd views, particularly on feminism, but it's an account of an incident during her time reporting for the BBC in Northern Ireland in the early 1980s that interests me right now:
“I went into the hall and looked through into the front room. A small boy, seven or eight perhaps, was standing by the fireplace. 'Me Daddy,' he said to me immediately, 'me Daddy won't get up.' Under the Christmas tree was a man's body, awkwardly splayed.
...
You wonder what good reporting does, being at these events, a spectator, unable even to extend a reassuring arm because you feel such as intruder.
You go back to the office, with some pictures of a terraced house with a tiny hole in the front-room window made by a motorbike passenger's bullet, and type out a little list of facts: the only Protestant family who'd chosen to remain, the wife out working her nurse's night-shift, the name of the dead man.
You omit the Christmas tree and the little boy's words.”
[The Kindness of Strangers, Kate Adie, Hodder Headline 2002]
In complete contrast to this, at the moment I have the privilege of helping to edit my friend Sharyn's book for Pluto press, based on her writings from Gaza during the Israeli airstrikes and invasion of December and January just past and the months afterwards.
Working on her stuff is on one level a bloody nightmare, because it's so powerfully written and so desperately upsetting and trying to edit on-screen when your eyes keep tearing up is a right pain, and on another uplifting because of the strength and uprightness of spirit that just shines through from the people she writes about.
It rather makes me feel sorry for Kate Adie; she firmly asserts a good old-fashioned solid positivist idea of journalism, that there is A Truth somewhere which just presenting The Facts will somehow reveal. And as the incident with the little boy in Belfast seems to me to show, that reduces the news she devotedly puts (put) out on the BBC to list of numbers and the doings of the People Who Matter.
Adie also, at another point in the book, debates the extent to which journalists can and should allow what they feel about a situation to come through into what they report, and claims that when a journalist - at least a TV one - allows some sentiment to show, it's because they've been specifically given 'permission' to do so, because it suits the situation. The increasing number of such moments is, you feel, not something she sees as a positive development.
Obviously, if you are reporting news then there has to be some effort at fairness - at representing different sides of a story or versions of an event. But I've given up believing that it is possible for anyone to report anything truly 'neutrally.' The moment you decide what aspects of a story are or are not worth reporting, or whose quotes are or are not more reliable, you've taken a position. I'm not taking a completely relativist position, that anyone's views carry equal weight or are equally reliable, there will always be those with more knowledge or experience of a given situation, but once you start choosing between those who have any decently reportable level of information or opinion, you've taken a stance.
And I can't help thinking that 99% of the supposedly important news from those People Who Matter actually matters rather little – that another defunct peace plan or another empty set of climate change commitments that everyone involved knows will never by implemented or acted on – is actually pretty meaningless against something which actually impacts profoundly on the lives of a group of people – not just in terms of the depth of their immediate grief, but also of the decisions they will make in the future.
Those agreements and treaties made by governments and so on may provide the framework within which other events may occur, but if it wasn't for the pain and rage, or the dignity and mercy and compassion, of the ordinary people under the boot-heels of the Matterers then those agreement and treaties would mean nothing. You can't understand the pieces of paper without the blood and shrapnel and tears, and you can't implement it, whatever it says, without fear or hate or loyalty or belief that makes people kill and be killed. In the end, a string of mouldering official documents in some archive (as reported by Kate Adie) will mean very little if someone (like Sharyn) hasn't recorded the grief and anger of the little boy – in Belfast, or in Gaza City – that will drive the next turn of the wheel.
Wow. What a fantastic piece. Thanks.
ReplyDeleteSarah, I've only just discovered your blog, and what an excellent post to come in on. It's a double-slpat of exciting writer news, I didn't know sharyn was doing a book either.
ReplyDeleteBut on the subject in hand, it's not only that the Sharyn school is less ashamedly partisan whilst Adie's pretends to be objective whilst really filtering along boradly establishemtn lines.
It's that the honesty of the Sharyn stuff makes it *more* trustworthy. You know she's not kidding you (it's just up to you how much you allow for her bias).
And more than that, as George Orwell said, 'if a writer on a political subject mamnages to preserve a detached attitude, it is nearly always because he doesn't know what he is talking about. To understand a political movement, one has to get involved in it. And as soon as one is involved in it, one becomes a propagandist'.
Here's what medialens had to say:
ReplyDeleteMany thanks, it is indeed a great piece. Adie writes:
"You wonder what good reporting does, being at these events, a spectator, unable
even to extend a reassuring arm because you feel such an intruder."
It's a very odd sentence. You're a reporter second, surely, and a human being
first. I've read even worse comments by journalists who claim it's actually
wrong to get involved because they're supposed to be 'neutral', 'objective'.
"You omit the Christmas tree and the little boy's words.”
Says who?! It is taking a position to present the world from the perspective of
someone without compassion, love or sadness. Not only is it a biased, subjective
view; it's a pathological one. Howard Zinn wrote:
“True, emotion can distort. But it can also enhance. If one of the functions of
the scholar [or journalist] is accurate description, then it is impossible to
describe a war both unemotionally and accurately at the same time... Thus,
exactly from the standpoint of what intellect is supposed to do for us - to
extend the boundaries of our understanding - the ‘cool, rational, unemotional’
approach fails.” (The Zinn Reader - Writings on Disobedience and Democracy,
Seven Stories Press, Howard Zinn, 1997, p.506)
Best wishes
David Edwards